After they learn that Chizuko has taken Mieko to a midwife to get an abortion, https://hanime.su/ Tetsuya and Tomoe rush there and arrive simply in time to rescue Mieko, who resolves to grow to be a better individual. Tetsuya lives at his former trainer’s home. Craig himself was reminded of the explanation he never leaves his home. Convinced that the lack of correct sex education was the explanation for Mieko’s blunder, Tetsuya and Tomoe visit Prof. Fukumoto of the Association for Sex Education to ask for his recommendation. The more Tetsuya tries to get away from Chizuko, the extra she clings to him. He had been in love together with his instructor’s daughter Chizuko, however after the struggle and his repatriation Tetsuya finds Chizuko completely modified. Chizuko takes in Mieko, who had run away from residence, and so as to annoy Tetsuya she declares that she is going to take care of the girl. Chizuko finally provides up on Tetsuya, and Tomoe and worldsocialindex.com Tetsuya get together.

At the varsity Tomoe meets Tachibana Tetsuya, a young trainer whom she had met before at a radio dialogue during which he had been taunted by other members after deploring the decline of sexual morals. Mieko helps Tetsuya, Tomoe and Prof. Fukumoto set up a lecture on intercourse education at the women’ faculty, but the lecture is disrupted by the nice-for-nothing Kawai who had seduced Mieko and acquired her pregnant. The second listing accommodates examples of yuri works as a secondary or peripheral storyline, reminiscent of a romantic subplot, the presence of an necessary feminine character who is by the way both lesbian, bisexual or different sapphic sexuality, as well as a noticeable amount of homoerotic-associated implicit subtext or casual LGBT female representation. Producer of all three films as well as of the follow-up Niizuma no seiten (Sex encyclopedia of a newly-wed woman, 1950) was Ishida Seikichi.

In reality, the novel was written on request of producer Ishida Seikichi, who wanted to make a film coping with the difficulty of sex schooling. Oba was a dependable, but so far not significantly distinguished director who had made his debut in 1939 and had made more than two dozens movies for Shochiku. Note: The views expressed within this evaluation do not essentially mirror these of us who have not seen the collection (i.e.- Craig and myself). Shochiku must have sensed the commercial potential of this film and slightly aggressively advertised it with slogans resembling “essentially the most problematic function film of this spring season!”, “pregnant school girl in uniform!”, “tragedy of a maiden realizing nothing about intercourse”, “the dangers of sex play (momoiro yugi)” and “the marvellous movie to the intercourse novel”.